Chapter 1 - The Importance of Great Audio
So, you want to make a movie? (Or a book for that matter) The rules between the two are similar, although the implementation is different. These posts are for low-budget sub $20K indies. If you have a good budget and can afford help, please ignore the advice given here.
Let’s start at the beginning, ideas. Ok, you have a great idea. So, how do you get that great idea and turn it into something that you can sell. Well, the first thing is creating a screenplay. You have a screenplay? Cool, because I don’t plan on going into that subject. If you need screenplay help I’ll refer you to The Screenwriter’s Bible by David Troitter. These posts are about turning that screenplay into a visual reality.
Let’s first talk about the three major components of filmmaking: Audio, Lighting, and Camera; note, the order. Burn it into your brain. It’s easy to find a camera person, sometimes easy to find lighting; but it’s usually very difficult to find audio. If you fail at this one component, no one will watch your movie. So, let’s talk audio first.
Audio of a movie is simply what you hear. But it’s deeper than that. It’s also what you don’t hear as well. The first level of getting good sound is obtaining a great microphone. There are several good ones these days for $200 and up, but the closer you get to $1000 the better the quality and yes, you will notice the difference. Do your research to find the one that works best for you. On all my projects I’ve used the Sennheiser 416. But I’m sure there are much better ones on the market now.
It is important as an indie producer that you secure areas that are extremely quiet or at least whatever noise is present stays constant throughout the shoot. For instance, shooting at a house can be great as long as the neighbors don’t decide to cut their lawns. And being in your local downtown may be awesome as long as the traffic is steady and low. As the audio is cut together, if the background changes quickly from one sound to another (or the volume of noise), the audience will be taken out of the movie. And just like a typo or weird structured sentence can ruin a book, so can odd audio.
If you are lucky enough to have meters on your recording device, make sure your voices are high above the low end noises.
EXAMPLE: Your recording device has 12 little dots to represent sound. You’re voices are averaging 10 dots, and your noise is about 2 dots. That is okay. But if your noise is 7 dots and your voices are 10 dots, that’s not okay. Most of that audio will be unusable.
If you are confused about a location, take your audio devices there and do some recording: Before You Shoot, to ensure great sound.
Okay, that’s all for today. I’ll discuss Lighting and Camera next time. Thanks for reading.